Learn to Swim (Feature Film, 2022)

For Learn to Swim, I wrote and performed two original songs in collaboration with co-composer Casey MQ, shaping the film’s emotional through-line through sound. One of those works, “And Then We Don’t,” emerged from my healing-centered composing process — using energy work and deep listening to channel the director’s personal story into a song that carries the film’s quiet ache and tenderness.

The track went on to win Best Original Song in a Feature Film at the 2022 Canadian Academy Awards, marking a career-defining milestone. In addition to composing, I also provided vocal coaching and training for the film’s lead actresses, supporting their performances so the music could live authentically within the story.

Program Sound FM (2021)

For Program Sound FM, a new radio platform amplifying Indigenous storytellers created by Bahia Watson, I collaborated with Casey MQ to compose both the theme song and broadcast bumpers, shaping the sonic identity of the program from the ground up. Drawing on my healing-centered “energy free-fall” composing process, I created a palette of vibrant tones that move fluidly through dancehall, reggae, soca, and pop-infused rhythms — crafting a soundscape that celebrates voice, movement, and cultural resonance across the airwaves.

Bright Eyes (Sci-Fi TV Series, 2019)

For the upcoming sci-fi series Bright Eyes, created by Lori-Ann Russell, I composed the show’s final theme and designed the entire sonic world of the series — crafting the atmospheric sound language that supports its speculative narrative and emotional tension. The closing theme, co-created with Victor Bongiovanni, anchors the series’ futuristic tone with a sense of wonder, vulnerability, and expansive possibility.